The temporary continuum, Part Four

by Jon Rappoport

April 28, 2022

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(For “The temporary continuum, Part Three”, click here.)

Thirty years ago, I used to walk around Los Angeles with my camera snapping hundreds of pictures. At the Norton Simon Museum in Pasadena, on a Saturday afternoon, I was standing outside the main building taking pictures of Rodin’s large sculpture, The Burghers of Calais. A heavy-set woman wearing a long coat suddenly stepped into the scene and looked up at one of the Burghers. I caught her in the frame and snapped the shot. Later, when the black-and-white photo was developed, it turned out that her overhanging hair-do was nearly identical to the piled up arrangement of hair on the Burgher she was staring at. Her head was the same wedge shape as the Burgher’s. The similarity and the dissonance (a metal man, a flesh-and-blood woman, from two different epochs) were startling.

A few minutes later, inside the Museum, I was focusing my camera on a very large painting of several 18th-century courtesans reclining on a couch in a luxurious chamber hung with rich heavy curtains. This was just the kind of painting I would ordinarily pass without a second glance. Two girls stepped in front of the painting and looked up at it. I snapped several shots. Later, after developing them, I saw that the girls were wearing all sorts of costume bracelets and rings. The contrast between the girls’ and the courtesans’ jewelry, and between the young fresh faces of the girls and the opulent experienced faces of the courtesans, was quite marvelous—and the photo diminished the distance and separateness between the girls and the painting.

As a wandering photographer in Los Angeles, I experienced many of these spontaneous synchronicities.

This was a different order of reality. I would never have found it, had I not been carrying a camera and taking pictures. It would have been invisible. But there it was, on film.

A “level of continuum” that doesn’t really exist—except it does.

A spontaneous level, if you will, that rises beyond “solid and final reality.”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The temporary continuum, Part Three

by Jon Rappoport

April 27, 2022

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(Episode 6 of Rappoport Podcasts — “Kill-Shot Psychiatry, George Carlin, hero Peter Breggin; And the Real Drug War That Is Eating America” — is now posted on my substack. To listen, click here. To learn more about This Episode of Rappoport Podcasts, click here.)

(For “The temporary continuum, Part Two”, click here.)

~~~

“Well, we tried to build a universe, you know, a really big one, but it kept falling apart. They shipped in some seal they said was unbeatable, but that didn’t even begin to help close the cracks.

“It must have been a design flaw, but the architects swore it wasn’t their fault. And the bio-labs were useless.

“The engineers tried, but they were on patch-patch duty around the clock, and then big sections caved in and blew out through the wormholes.

“It was a mess.

“Then, finally, a domehead scholar showed up, and in three days he solved the whole problem.

“ORGANIZED Religion.

“Going that way brought everything into focus.

“Turned out it was the universal seal, and those huge drifting pieces came back together like filings drawn to a magnet.”

Commentary:

Eventually, people won’t even know what you mean by the word magic. They’ll claim they’re confused, it doesn’t makes sense, it must have happened in a distant past too obscure to reconstruct.

Centuries later, everybody is used to being inside the continuum. Permanently.

That may not have been what the original designers had in mind when they started building the universe, but they were willing to make sacrifices to get the job done.

The measurements of things? You know, the fact that a leaf on a nut tree is 5.1265 to the length of its 12.4902 branch…and that ratio is also found in the eye to the nose of a certain fish and the horn to the leg of a particular mammoth and the tooth to the jaw of a monkey…it’s just the way it is. Interesting, but no big deal. A design construct.

You can visit that continuum whenever you want to. And leave, too. There aren’t any entrance or exit signs. You just hop in and hop out. As long as you don’t succumb to the propaganda that there is only One Universe.

The pride in living in the “only one”; a fantastic joke.

I once knew a guy who tried to set himself up as a god in one of these continua. No, really. He’d come out on his balcony every morning in a multi-colored bathrobe and holding, what was it, a lamp in his hand. I forget what it was supposed to signify.

He could talk, I’ll give him that. And he’d draw small crowds. But they thought he was funny. They laughed and took pictures. The guy said he had created that continuum and therefore he was in charge of it. I mean, even if he had made it (which he hadn’t), so what? He could suddenly make up all sorts of rules?

Here’s the kicker. Ten thousand generations later, the descendants of those bright people who were laughing and taking pictures? They’re avid proponents of organized religion. They’re ready to embark on a crusade at the drop of a hat. Or they’re dyed-in-the-wool materialists, who believe that all life originated in puddles of chemicals. Idiots here, idiots there.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The temporary continuum, Part Two

by Jon Rappoport

April 26, 2022

(To join our email list, click here.)

(Episode 6 of Rappoport Podcasts — “Kill-Shot Psychiatry, George Carlin, hero Peter Breggin; And the Real Drug War That Is Eating America” — is now posted on my substack. To listen, click here. To learn more about This Episode of Rappoport Podcasts, click here.)

(For “The temporary continuum, Part One”, click here.)

~~~

Let’s say you want to tell time. You want to know what time it is. You want to be able to know in the morning and in the afternoon and at night. So you buy a clock. Poof. You’ve got what you want. You can glance over at the clock whenever you want to, and you can get what you need.

Does that mean you have to know how the clock was built? Do you have to be able to take it apart and get in there and figure out how everything works and connects?

Somebody else might want to do that, in which case he buys the clock and disassembles it. But you just want to know the time.

Let’s take this a little further. Suppose, astonishingly, as this other person takes apart the clock and studies it, he finds out there are clues embedded in it. Clues that keep pointing back to HIM. And to everybody else.

He just wanted to know how the clock was built, but he got more than he bargained for. He got little arrows of knowledge that kept pointing back at him.

And what did these arrows tell him? First of all, they told him the clock was far more complex than he thought it was. Currents of electrons flowing through the clock were also simultaneously hooking up with electrons that weren’t even inside the clock or anywhere near it.

This made him nervous. He was all about clocks and cogs and wheels, and he got bizarre contradictions and impossibilities.

As if that weren’t enough, he also began to realize that his own consciousness was somehow interacting with the clock mechanism. That freaked him out.

But he pressed on. He couldn’t stop now.

What followed was a twisting path of hints and surprises that baffled and confounded him. It was like stepping through a mirror. It was like dreaming. He didn’t like it, but he wouldn’t let go. He was holding on to his old ideas as he was discovering new ones. So he began to develop theories that looked like patchwork quilts of half-formed and confusing images.

This pretty much sums up where modern physics is.

The big missing piece of the puzzle is YOU. They don’t get that one yet.

YOU CREATE REALITIES. And since you do, the universe—which is just another reality—is going to reflect back some ideas about you and you creating realities.

We’re very much here in this universe and we want that. After all, we bought the ticket and we aim to take the full ride.

When we bought the ticket to this space-time-solidity continuum, we knew we would have to be self-deceiving artists. The amusement park was too easy to see through. We could walk around in back of the rides and observe how they were built. That would destroy the illusion that is vital to the sensation we seek.

So we had to create a massive OBSCURING.

Massive enough to keep us from ever being able to sneak around behind the rides.

That’s a kind of very effective art.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Internal Investigation

by Jon Rappoport

April 25, 2022

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In a room with no name…

Are we sure the operation is proceeding according to plan and timetable?

No, sir. There are disruptions.

Of what kind?

The symbolic force of language is wearing out.

That sounds serious.

People living in the movie are realizing they are WATCHING a movie.

Really?

Yes. They’re no longer attaching prescribed meanings to the film. They’re bailing out.

That sounds VERY serious.

One person wrote to us: “I see the commercials. It all looks like commercials now. They’re advertising and selling my own mind back to me. It seems somewhere along the line I donated my mind to you and now you’re selling it back to me.”

Well, he’s right.

I know that, sir. But he’s not supposed to know it.

What went wrong?

It could be overload. But some of my colleagues believe people are deserting their inferior minds for superior minds. They’re found other plug-ins which aren’t part of the System.

That’s impossible.

I would have thought so.

Where are these new plug-ins?

Unknown. When audience wants to become actor, all sorts of strange things can occur. Theater without scripts. At first, you get your usual protests and violence, but then there is another level. The actor looks at the audience and the audience looks back at the actor and they recognize each other. Here is another communique we received: “I can see the whole labyrinth now. The whole thing is a fraud. It isn’t even a trap. It’s a mask. I think you should do something about this before it’s too late. The movie keeps referring to itself. That’s destructive. The movie is eating itself.”

I wouldn’t know where to begin, to correct the problem.

Neither would I, sir. SOMETHING is underway. We certainly didn’t initiate it. We find no obvious flaws in our algorithms.

Is there electronic interference?

Not that we can locate.

We’re censoring everything we can.

Right. But it’s not helping.

Is this one of those problems without a solution? I remember early on, when we were still building prototypes, there was a counter-argument about self-generating problems. But that was theoretical.

Yes. The internal seeds of destruction theory. We rejected it as speculation. We preferred merely to say we were creating BUBBLES and ISLANDS. For the mind. We stuck to basics. A few of our people warned we were being simplistic. But we ignored them. I myself issued a warning.

What was it?

When you make a movie, the movie will tend to repeat itself at some point. It will go back to the beginning and start over.

That’s ridiculous.

I abandoned the whole notion. But now I would say, if you put a few billion people in a movie, they’ll start adding their own scenes. They’ll start catching on. And then they’ll start looking at the scenes they’re adding. EVERYBODY WANTS TO MAKE MOVIES. That’s an inherent problem. You can’t eliminate it.

You may have something there.

I believe I do. To a degree, every movie is about itself. It refers to itself. It’s about making movies.

Where did you get that idea?

I visited one of our prisons and interviewed the inmates. I was on a fact-finding mission. One of the men was serving a 20-year sentence. He’d gone to school and passed the exam for therapy assistant/security analyst. He wrote me a note. “Prison is a movie that exposes itself.”

Perhaps we should bring him in and interview him.

We can’t. He escaped last year.

What? Through all the layers of protection?

And I’ve decided to play his role in the movie.

For what purpose?

To investigate possible leaks in the System.

Admirable. But it could be dangerous. You could come to favor the role yourself.

I know.

Be careful.

That’s difficult. He clearly isn’t careful. He takes great risks. I assume that’s how he’s found out so much about what we do.

Report back to us frequently.

He wouldn’t.

I get your point. But we need to monitor you.

I’ll leave clues.

What sort of clues?

Look for breakouts from the main movie. Chances are I’ll be there.

You’re going over to the other side, aren’t you?

It’s very attractive.

You’ve been suffering from boredom.

Yes. No matter what circumstances people face, no matter how dire situations become, EVERYBODY IS SUFFERING FROM AN UNDERLYING BOREDOM. That’s the nut I have to crack. No matter what it takes. The only other alternative is DOOM.

I could have you arrested. Right now.

But you need me. The whole movie could collapse.

In which case, what would happen?

Nobody really knows.

We’ve lived with it for a long time.

Do we even know how to turn the projector off?

No one agrees on that point. There are all sorts of hypotheses.

EVERYONE WANTS TO MAKE MOVIES. Maybe that’s the answer. Let them. Help them.

It could be a complete disaster.

Perhaps we should find out.

[End of transmission of leaked file 5-76-2]


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The temporary continuum, Part One

by Jon Rappoport

April 20, 2022

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When you go back and read some of the old myths of the gods, you see that they went back and forth between their “home” beyond this space and time—and they also entered this Earth Locale and made things happen here.

We, too, have an extraordinary fluidity. We put that on the shelf when we are here on Earth. So we forget what we can really do.

I remember as a child listening to the famous radio show called The Shadow. The hero was portrayed as a man who, in the mysterious East, had learned the secret of clouding other people’s minds so they couldn’t see him. This was the key to his invisibility.

It makes a charming tale, but the reality behind that is this: a magician (one who makes magic) moves from HERE to THERE, and THERE is simply another place outside this continuum.

We can find that idea reflected in modern physics. The scientists (some of them) admit that tiny particles of energy are constantly disappearing and re-appearing.

In other words, the particles are going beyond the framework of this universe and then they are coming back.

It’s no big deal to those particles. They do it all the time. It shouldn’t be a bizarre thing to us, either. It’s only strange relative to the incredibly conformist culture in which we live.

And that’s the key: the conformist culture. Nobody stops and thinks about how deep the conformity goes. That’s another college course we need: HOW DEEP DOES CONFORMITY REALLY GO?


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The life and death of language in the circus of data where minds are turning into processing monoliths

My advice to writers

by Jon Rappoport

April 19, 2022

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(Episode 5 of Rappoport Podcasts — “Inside the Den of Thieves; My Experience inside the US Political System” — is now posted on my substack. To listen, click here. To learn more about This Episode of Rappoport Podcasts, click here.)

The fungus of decay is taking down live language and turning it into UNITS. Just like the people who can’t break out of sluggish dreams are also turning into units. These people find solace in gobbling juiceless words—sunset with no sun, power with no electric JOLT, and even jokes with no laughter, as if we’ve all been down this road before and here it comes again, except this time they have ads for curing the death of the psyche that doesn’t even know it’s wandering in the labyrinth of a bad town wrecked by failed promises.

I keep blowing away these towns, but more show up. As they would. As they do.

A writer WRITES. That’s what I do. No matter what. My advice to all writers: look to the open spaces, to the territory not yet inhabited, and stake your claim. Open up your language and let it rip. Take on all comers. Outside The Reality Machine is where you belong. If you keep on going, outside, people will show up and read you. They’ll be drawn to you. It’s magnetics. Their subconscious, which is still alive, will be alerted that you exist and you aren’t holding back. That’s what the subconscious wants to know. That’s the assurance it needs.

The reality mongers will feel the impact. On levels they don’t understand, they’ll feel their traps springing but catching fewer minds, less meat. The only thing they can sell is What Already Is. You have everything that Isn’t. Which means you have no limit.

Sometimes, your writing resembles dreams.

For example, I had a dream in which a horse was warning people to stay away from COVID tests.

He was sought by the police, but it turned out he had friends in high places.

Yes, this is unlikely, but it’s a dream, and therefore, so what?

The horse was quite well educated. In a court trial, which only lasted a few seconds, he confounded virologists and drove them to admit their phony science was just a con.

Having been exonerated, the horse went about his business, roaming the streets, eating patches of grass growing up through cracks in the sidewalks, and warning people the test was the gateway into the System, which would destroy them in short order.

If a few readers object to dreams, remind them that they’re more sustaining than facts, in the long run. Dreams give them other worlds.

You see, this is the problem; the lack of faith in other worlds.

When people lose this faith, they don’t like to be reminded of it. So remind them, until they’re forced to start a new path of thinking. A long crooked path, not a straight line.

I’ve walked through many blooming gardens. I never take a straight line. I go where my eye leads me, like the painters.

Speaking of which, some of your best friends, as a writer, are painters. They know what you’re doing. Visit the painters in museums. Search for the way they think. Renoir, Van Gogh, Velasquez. To achieve their effects, they’re quite willing to take the long way around. It’s how they solve their unhappiness.

They’re not ashamed of all-out beauty. Nor do they reject ugliness.

As a writer, you’re quite willing to take a few thousand words to say what you could say in 50. And when you do, you discover you’re saying things you never imagined or knew before. That’s the magic.

The magic will always show up, if you go on long enough.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Book

by Jon Rappoport

April 18, 2022

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As should be apparent by now, I’m trying to turn you into an artist of imagination, because with imagination and art you can start digging yourself out of the psychological and spiritual gravity well, called reality, into which we’ve all dropped…

You could say everything I’m doing in this blog is for that reason. Well, not everything.

And dreams are interesting works of art and imagination. This is why I mention them and describe them from time to time.

For instance:

You’re reading a book. There’s no doubt you’ll finish it. It’s engrossing.

But somehow, you become aware there’s a larger book. And that’s the one you have to find. In fact, it feels as if you’re reading it already.

The dream could begin that way.

Or it could be a different sort—-like the one I just had, in which the first person to be named as having gotten a religious exemption from the COVID vaccine was Will Smith. And his exemption was going to be canceled tomorrow. So now no one would be able to cite him as the justification for an exemption. They would have to rely on themselves…

The whole basis for religious exemptions would change. Every person of faith would have to step out into the light and make himself known.

Of course, this would be a problem. For many.

Will Smith is no longer a shield.

In the dream, this was a piece of information I was chewing on, over and over. The dream stalled there.

Dreams often do stall. You’re searching for more. More you can invent.

That’s all dreams are. Inventions.

Forget “interpretation.” That’s bullshit. There is no interpretation. Just as there is no interpretation of any work of art. The art stands alone.

All dreams are fun, even when they’re terrifying. Ditto for all art.

Reality isn’t fun, because it becomes repetitive. A mountain is beautiful, but for how long? For me it’s 3.54 seconds.

Look at the very first movies, particularly the French ones. They were dreams put on the screen. This was before the idea of PLOT LINES took hold. What was that all about? Why the obsession for beginning, middle, and end? The main idea about dreams and art is MORE. That’s all. The Endless.

…So I went back to sleep and had a second part of the COVID dream. No more Will Smith. He was out. Now there were people who had special access to “COVID stars”—like the first person to be diagnosed with the (non-existent) disease, and the first person who took the vaccine, and the first person who put up a MUST WEAR MASK on his business door. People told stories of meeting these stars and how inspiring it was. People told these stories on FOX news. Stories about meeting heroes. What could be more interesting to the addicts who watch television news?

There may be more chapters to this dream. If so, I’ll write them. You see? Dreams are interesting. We’re already writing short stories and maybe even novels. We’re already writing our way out of the reality machine. Jump in. The water’s fine.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Technology, consciousness, and how the universe is built

by Jon Rappoport

April 15, 2022

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In the early 1990s, hypnotherapist Jack True was trying to show me how perception operated in hypnotized subjects.

As a joke, well it was a half-joke, he said: “If you’re doing a scientific experiment on gravity, and you start dropping various objects from the top of a building, you’re going to find out some interesting things about the way gravity operates in the universe.

“But if you don’t care about gravity and science, when you drop the objects from the roof, some will fall and others will float.”

What he meant was this: if you want to find out how to build things and run things and propel things and blow up things, you can look into the universe and eventually obtain that information.

The information will seem to be definitive about how the universe is built. It will seem to be the only model. It will seem to be the truth.

But that’s an illusion. Actually, competing models about the universe are available, and depending on your intent, you can discover and put together as many as you need.

They all work. They all look like mutually exclusive systems. But they aren’t.

The picture of tiny particles whirling through space and time is fine. It works. It enables the kind of technology we have now. It can be proved with mathematics. It can be verified until the cows come home. But it’s not the only choice.

Jack once had a patient who, three years earlier, had suddenly developed nearsightedness.

So Jack put him in a light trance and worked on it. Nothing.

Finally, after a number of sessions, Jack told him that perhaps his view or picture of the universe was standing in his way. Perhaps he needed to come up with another picture. Jack liked to try these radical approaches.

In ensuing sessions, Jack had his patient invent dozens of different models of how the universe was constructed. None of them were based on physics.

The patient was getting interested. He suddenly recalled that, as a very young boy, he’d thought the world was a kind of vacuum surrounded by extremely dense space, which was actually solid. He’d had dreams about this “reverse configuration.”

For no apparent reason, the patient now felt better. His eyesight improved.

Jack told me his experience with this patient was part of the reason he stopped doing hypnosis. He said that having one and only one model of the way things are is, in fact, the result of being in a core trance. Everyone is, to one degree or another, already in that hypnotic state. Therefore, Jack’s job should be to wake people up.

Whether the universe is made of particles or waves, was produced by the Big Bang or the translation of lines of code from a two-dimensional surface, or as a result of vibrating Strings, it can be said to be a projection, a demonstration.

It can be viewed as an absolute unity, just as a stage play strives for absolute credibility. But of course, the stage play is wise enough to end. And then the audience walks out. But the universe is a projection that wants to impart the illusion of permanence.

This illusion is brought about by a scheme of interconnectedness, in which each particle or thing appears to be related to every other thing, or, from a different point of view, reflects every other thing, in a series of mirrors.

This is the overarching meaning of the ancient symbol of the maze. You move through the paths and arrive back at the beginning. The journey is always self-contained.

From the perspective I’m presenting here, the horse that finishes last in the race is named Truth, when truth is sought as one and only one model forever.

It’s not merely, as some physicists venture, that there are universes parallel to this one. There are universes everywhere. They are infinite in number. And then there is a “greater” infinity—those universes that have not yet been created.

Taking this as a starting point, and inventing multiple scenarios, multiple worlds, universes, and futures, one gains back power. Power beyond what one thinks, at any given moment, is possible.


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Once there was a particle

by Jon Rappoport

April 13, 2022

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(Episode 4 of Rappoport Podcasts — “The Great Tradition Of Imagination; And What It Means For You, The Individual; The Next 10,000 Years Of Earth Culture” — is now posted on my substack. To listen, click here. To learn more about This Episode of Rappoport Podcasts, click here.)


And the particle thought he was a virus.

He was just a particle.

But he was under orders from the Council of the Universe to call himself a virus. He, and trillions to the trillionth power of similar particles, were a Control Force.

They would enter minds and say: I AM A VIRUS. I INFECT.

It wasn’t a particularly sophisticated operation.

But it was effective.

Because people listened. People were always listening for messages.

In my lab, after several years, I found a way to cancel the thought, I AM A VIRUS, in a particle. The method wasn’t complicated. It involved making a small, very specific change in pulse rate.

I ran an experiment in several large cities on a planet at the edge of the Milky Way. It was successful. Many particles stopped broadcasting their virus message.

But people still visited doctors and hospitals. They received diagnoses and treatments. It was an ingrained habit, a fetish, a fashion statement.

I published articles in a minor journal, Medical Fictions.

I did a speaking tour. The audiences were small.

I started a group called Escape from the Particle. After a year, there were 37 members.

I returned to my lab. My mission: create a new particle.

I tried standard transformations of existing particles. The experiments didn’t take hold. I read ancient alchemical texts and looked for clues. I found none.

One day, I was taking a walk in the woods, and I came upon a beggar. He pulled out a long knife. I prepared to fight for my life. He looked at me and said, “Hey there, you’ve got two seconds to create a better particle or I’ll run this blade through your guts.”

So I did.

On the spot.

I invented the better particle.

It carried the message: YOU’RE FREE.

Over the next few days, I created quadrillions of these particles.

In short order, they overwhelmed the “viruses.”

The Council of the Universe collapsed. The men ended up forming a bad rock & roll band and playing little clubs in a few towns near the center of the Andromeda Galaxy just out of reach of a black hole.

—That is how I became an artist. Out of desperation. In a crisis.

Once I’d handled the particle problem, I turned my lab into a studio. I paint there every day. Old friends who died hundreds of years ago drop by and visit. We take walks together and sit around and chew the fat.

The beggar comes over every once in a while. I cook him a meal and he looks at my paintings. Funny thing, we never bring up the moment he threatened me. I have no idea how he knew I was working on a new particle.

It doesn’t matter.

What matters to me is I took a shortcut. I eliminated the “how.” I stopped asking the questions that led me through a maze.

A few months ago, the beggar came by and told me he was going on a long trip. He didn’t know whether he’d be coming back. He looked around the studio and said, “You know, every one of these paintings is a stand-alone. They don’t need any support. That’s the key.”

I think about that from time to time.

It makes sense. It makes a lot of sense.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Artist goes past the limits; is questioned by authorities

by Jon Rappoport

April 11, 2022

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The visible light spectrum is only a minor part of the full spectrum. In the same way, consensus-thought is only a tiny arc in the full arc of thought (which is infinite).

On May 14, 2704, the New England Journal of Medicine and Psychology published a paper titled:

WHAT IS ‘A NEGATIVE CONSEQUENCE?’

A quote: “Brain research discovers common patterns of activity across a whole population. These patterns would be called ‘normal’. Exceptions would be classified as various categories of ‘disordered thought’. It’s assumed that only ‘harmonious and symmetrical’ brain patterns are positive and beneficial.”

A reader commented: “This assumption is grossly false. It’s a stunted version of aesthetics. Creative force always breaks out of these little geometries. So does every new idea. Increasingly, Earth culture is unable to understand this.”

—That reader receives a government notice and is summoned to a hearing. He’s interviewed by a virtual AI employee of the federal Department of Stat Research.

HOLOGRAPHIC i-FIGURE: “Are you all right during this epidemic lockdown? I see you live alone.”

“Yes, I’m fine.”

“We want you to enjoy yourself. Are you watching learning programs?”

“No.”

“Why not?”

“I don’t like them.”

“Well, we have a report on you. It indicates an output difficult to measure or interpret. What can you tell us about this?

“I don’t know. I’m composing a symphony.”

“A symphony? What is that?”

“It’s a piece of music written for a large orchestra.”

“I find no extant orchestras in the country.”

“That’s true. Nevertheless, I’m composing.”

“Why?”

“For that day when an orchestra may come into being again.”

“Your thought-impulses entered ranges we were not able to summarize.”

“I suppose that means your instruments are limited.”

“Your last statement might be viewed as incendiary. It suggests we are imposing a restriction. As you well know, the science is settled on this point. We measure and interpret thought that contributes to an overall positive outcome, for the population at large.”

“I’m aware of that, yes. But the science rests on certain assumptions. I would call it greatest good as a lowest common denominator.”

“What do you mean?”

“You decide a certain mindset contributes to the consensus reality you favor. You legislate a range of thought that will produce the consensus.”

“That’s a gross oversimplification.”

“It doesn’t describe the algorithms you employ, but all in all I believe my summary is correct. You’re reality makers. You monitor thought-emissions, and when you find a departure from ‘combined averages,’ as you call them, you issue a citation.”

“What is this symphony you’re composing?”

“It’s impossible to explain. It’s music.”

“It has a specific message?”

“No. If it did, I would write out the message and leave it at that.”

“Why have we not heard of you before?”

“I was doing illustrations for the Happiness Holos.”

“We know. What happened?”

“I became bored. A machine could make those pictures. So I decided to compose music.”

“The Happiness Holos are an essential social program.”

“Perhaps. They encourage people to stay on the positive side of a construct called Positive&Negative, which as you know is a State-sponsored theme. But what is superficially indicated by those two opposing sets is, in fact, fuel for the fire.”

“Fuel for what fire?”

“The artist can use and transform any material.”

“Where did you hear such a thing?”

“Nowhere. I’ve experienced it many times.”

“Your views are highly eccentric. I will have to consult your childhood history to understand their roots.”

“I’m afraid that won’t do you any good.”

“Why not?”

“Because your version, the US Department of Psychology version of cause and effect, is propaganda for the masses.”

“This is your idea of a joke?”

“Not at all.”

“When you compose this…symphony, how do you think?”

“It’s not thinking in the way you use the term.”

“No? Then what do you do?”

“I invent sound.”

“Preposterous.”

“Large masses of sound.”

“Absurd. According to what underlying pattern?”

“None. Check the Library of Structures. I doubt you’ll find my activity in the catalogs.”

“Known structures and patterns are contained in the files.”

“I don’t invent through pattern.”

“No? How then?”

“I improvise.”

“And this term refers to?”

“Something done spontaneously.”

“And you exceed prescribed ranges of thought in the process.”

“Perhaps. I would hope so. I don’t keep track.”

“You’re being flippant.”

“I assumed you’d eventually cite me. I’m just composing music during the lockdown.”

“There is no citation yet. You’re an anomaly. We investigate. We consider.”

“I’m afraid your and my idea of ‘consider’ are quite different.”

“Let me ask you this. When you are composing, do you ever believe you enter into a realm or area that could be called ‘non-material’? We’ve heard such claims before.”

“Not if you’re referring to some fairyland. But all thought is basically non-material. The brain registers it after the fact. Thought, the real thing, doesn’t take place in the brain.”

“You’re deluded. And disordered.”

“If I could simply confess to that and be on my way, I’d be a happy man.”

“You live in a society. To keep the peace and maintain the Positive, science has discovered that thought should occur within certain parameters.”

“If you insist.”

“We want to study you. It’s a great honor to be called. You could help extend the boundaries of research…we register variation from the norm in your present thinking.”

“What present thinking?”

“What you’re thinking right now.”

“That was quick.”

“The readouts are instantaneous…what are you doing?”

“I’m starting the fourth movement of the symphony.”

“Wait. What you’re doing is disruptive.”

“You assume so, based on how you set your normal frequencies.”

“YOU’RE BEING DISRUPTIVE. STOP YOUR THOUGHTS.”

All along the major esplanade, and in the lake area, and in the industrial parks and residential high rises, virtual structures shattered like glass.

The holographic i-figure went dark.

A thousand holographic government buildings froze and vanished.

The composer said to no one, “I’m just composing. Well, apparently not just.”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.