by Jon Rappoport
April 25, 2022
(To join our email list, click here.)
In a room with no name…
Are we sure the operation is proceeding according to plan and timetable?
No, sir. There are disruptions.
Of what kind?
The symbolic force of language is wearing out.
That sounds serious.
People living in the movie are realizing they are WATCHING a movie.
Yes. They’re no longer attaching prescribed meanings to the film. They’re bailing out.
That sounds VERY serious.
One person wrote to us: “I see the commercials. It all looks like commercials now. They’re advertising and selling my own mind back to me. It seems somewhere along the line I donated my mind to you and now you’re selling it back to me.”
Well, he’s right.
I know that, sir. But he’s not supposed to know it.
What went wrong?
It could be overload. But some of my colleagues believe people are deserting their inferior minds for superior minds. They’re found other plug-ins which aren’t part of the System.
I would have thought so.
Where are these new plug-ins?
Unknown. When audience wants to become actor, all sorts of strange things can occur. Theater without scripts. At first, you get your usual protests and violence, but then there is another level. The actor looks at the audience and the audience looks back at the actor and they recognize each other. Here is another communique we received: “I can see the whole labyrinth now. The whole thing is a fraud. It isn’t even a trap. It’s a mask. I think you should do something about this before it’s too late. The movie keeps referring to itself. That’s destructive. The movie is eating itself.”
I wouldn’t know where to begin, to correct the problem.
Neither would I, sir. SOMETHING is underway. We certainly didn’t initiate it. We find no obvious flaws in our algorithms.
Is there electronic interference?
Not that we can locate.
We’re censoring everything we can.
Right. But it’s not helping.
Is this one of those problems without a solution? I remember early on, when we were still building prototypes, there was a counter-argument about self-generating problems. But that was theoretical.
Yes. The internal seeds of destruction theory. We rejected it as speculation. We preferred merely to say we were creating BUBBLES and ISLANDS. For the mind. We stuck to basics. A few of our people warned we were being simplistic. But we ignored them. I myself issued a warning.
What was it?
When you make a movie, the movie will tend to repeat itself at some point. It will go back to the beginning and start over.
I abandoned the whole notion. But now I would say, if you put a few billion people in a movie, they’ll start adding their own scenes. They’ll start catching on. And then they’ll start looking at the scenes they’re adding. EVERYBODY WANTS TO MAKE MOVIES. That’s an inherent problem. You can’t eliminate it.
You may have something there.
I believe I do. To a degree, every movie is about itself. It refers to itself. It’s about making movies.
Where did you get that idea?
I visited one of our prisons and interviewed the inmates. I was on a fact-finding mission. One of the men was serving a 20-year sentence. He’d gone to school and passed the exam for therapy assistant/security analyst. He wrote me a note. “Prison is a movie that exposes itself.”
Perhaps we should bring him in and interview him.
We can’t. He escaped last year.
What? Through all the layers of protection?
And I’ve decided to play his role in the movie.
For what purpose?
To investigate possible leaks in the System.
Admirable. But it could be dangerous. You could come to favor the role yourself.
That’s difficult. He clearly isn’t careful. He takes great risks. I assume that’s how he’s found out so much about what we do.
Report back to us frequently.
I get your point. But we need to monitor you.
I’ll leave clues.
What sort of clues?
Look for breakouts from the main movie. Chances are I’ll be there.
You’re going over to the other side, aren’t you?
It’s very attractive.
You’ve been suffering from boredom.
Yes. No matter what circumstances people face, no matter how dire situations become, EVERYBODY IS SUFFERING FROM AN UNDERLYING BOREDOM. That’s the nut I have to crack. No matter what it takes. The only other alternative is DOOM.
I could have you arrested. Right now.
But you need me. The whole movie could collapse.
In which case, what would happen?
Nobody really knows.
We’ve lived with it for a long time.
Do we even know how to turn the projector off?
No one agrees on that point. There are all sorts of hypotheses.
EVERYONE WANTS TO MAKE MOVIES. Maybe that’s the answer. Let them. Help them.
It could be a complete disaster.
Perhaps we should find out.
[End of transmission of leaked file 5-76-2]
(To read about Jon’s mega-collection, Exit From The Matrix, click here.)
The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.